Wählen Sie eine Sprache für Ihren Einkauf. Javascript ist erforderlich, um Shouts auf dieser Seite anzeigen zu können. As your browser speaks English, would you like to change your language to English? Van Wissem holds the instrument in front of his chest as the natural sound resonates inside the lute’s boatlike cavity. Matthias Alban … von Thurston Moore oder dem britischen Wire Magazin. Jozef van Wissem (* 1962 in Maastricht) ist ein niederländischer Lautenspieler und Komponist. Ihr Amazon Music-Konto ist derzeit nicht mit diesem Land verknüpft. "how the soul has arrived at understanding of her nothingness", "the heavens are parting and the spirit descends like a dove", "how long will it go on after you have gone", Jozef van Wissem would like to open our ears to the gorgeous sonorities of the lute. On another song, “Bow Down,” he sings about the medieval practice of drinking alcohol because untreated water was so unsafe—and given the ongoing crisis in Flint, Michigan, it would seem that not much has changed since the dark ages. He credits O’Brien with some career-making advice. Geben Sie es weiter, tauschen Sie es ein, © 1998-2020, Amazon.com, Inc. oder Tochtergesellschaften, Temple Dance of the Soul (The Taste of Blood), The Purified Eye of the Soul Is Placed In the Circle of the Eternal Sun, Ist der Verkauf dieses Produkts für Sie nicht akzeptabel, Lieferung verfolgen oder Bestellung anzeigen, Recycling (einschließlich Entsorgung von Elektro- & Elektronikaltgeräten). Sign up for our newsletters Subscribe. Leider ist ein Problem beim Speichern Ihrer Cookie-Einstellungen aufgetreten. With composition titles such as "how the soul has arrived at understanding of her nothingness" and "love is a religion," Jozef van Wissem seems to be far more interested in the eternal than the antique. The technique works particularly well with the mathematically precise music of composers from Bach's era, so why not Renaissance lute music? Van Wissem spielt die Laute so, wie John Fahey oder Sir Richard Bishop …, Wissem hat durch seine exzentrische Spielweise diesem Instrument zu neuer Anerkennung in der OFF-Szene verholfen. Entdecken Sie jetzt alle Amazon Prime-Vorteile. Van Wissem last played here in 2013, and since then his other records have added electric guitar, programmed beats, and reverb-saturated vocals to the sparse, palindromic figures he plays on his lute. Es steht eine neue Version von Last.fm zur Verfügung. Subtitling the album as a "deconstruction" might also not provide the right impression, as this phrase usually is used in conjunction with a much more radical assault on a musical format. Wählen Sie ein Land/eine Region für Ihren Einkauf. This may have been neither necessary nor conceptually sound, but adheres to a law that perhaps is not stressed enough in composition class: that the composer has the right to do whatever they want to. And that’s what you try and keep. Sag uns deine Meinung zur Last.fm-Website. Van Wissem studied lute in New york with Pat O'Brien.and released a classical lute CD " A Rose By Any Other Name" consisting of anonymous lute pieces. He’s not only liberating the lute, as he suggests later, but also asking his audience to liberate themselves from accustomed approaches to music. “Performing with him is always very exciting because he has the vocabulary and skill of an erudite classical player, but the open mind and emotional response of an experimental musician,” says Zola Jesus (a.k.a. At Santos, when he plays the title track from his 2011 album “The Joy That Never Ends,” the melody’s delicate glimmer freezes the moment, begging the listener to come closer as he steps away from the microphone. “I want to update it and also make it sexy again. Not ready to commit? Prime-Mitglieder genießen Zugang zu schnellem und kostenlosem Versand, tausenden Filmen und Serienepisoden mit Prime Video und vielen weiteren exklusiven Vorteilen. Although Hiddleston might have modeled his undead character, to some degree, on the musician, the likenesses go only so far. Einige der von Benutzern eingestellten Texte auf dieser Seite unterliegen der Creative-Commons-Attribution/Share-Alike-Lizenz; es können weitere Bedingungen zutreffen. To complement IVW's live programming, the, “Our city is just exploding with creativity and music and art, and all of these truly irreplaceable spaces are in danger of closing.”. Sag uns deine Meinung, Wissem hat durch seine exzentrische Spielweise diesem Instrument zu neuer Anerkennung in der OFF-Szene verholfen. Führe jetzt das Upgrade durch. Nika Roza Danilova) in an e-mail. Thus, while the music here is credited to Van Wissem, it very much sounds like something written centuries before his time. Er ist vor allem an der Schnittstelle zwischen barocker Lautenmusik und moderner Avantgarde tätig. Jozef van Wissem would like to open our ears to the gorgeous sonorities of the lute. Um die Gesamtbewertung der Sterne und die prozentuale Aufschlüsselung nach Sternen zu berechnen, verwenden wir keinen einfachen Durchschnitt. Or see other languages. The new teachers’ union fears the administration is treating them like commodities, not inspirations. You have this feeling of adventure. He's frequently on tour on both sides of the Atlantic, not only playing solo, but also with contemporary guitar virtuosos James Blackshaw (with whom van Wissem plays in the duo Brethren of the Free Spirit), Gary Lucas, and Sir Richard Bishop. Simultaneously austere and lush, van Wissem's music draws inspiration from the repeating patterns of minimalism, provoking for listener and performer alike a transcendental state -- meditative, but exciting. He’s obsessed with an instrument that may strike many as an arcane novelty, but for him it is utterly contemporary. Um Prime Music zu nutzen, gehen Sie bitte in Ihre Musikbibliothek und übertragen Sie Ihr Konto auf Amazon.de (DE). Although he released classical material (such as the anonymous pieces on 2008’s “A Rose by Any Other Name”), van Wissem prefers the art of what he calls “medieval sampling.” “Quoting pieces, using a melody to make the listener think or feel that it’s something that could be written a few hundred years back,” he says. To get into Jozef Van Wissem's world is to surrender to the inevitability - and timelessness - of a strange music created at its own pace, in ... one-of-a-kind baroque lute custom build for him. But on his latest album, We Adore You, You Have No Name (Consouling Sound), Van Wissem has returned to the gallery. Lutes of several regional types are also common in Greece: laouto, and outi. Jozef Van Wissem, composer, stands with his lute in his Greenpoint apartment in Brooklyn, NY on April 3rd, 2014. Send us what you can! There was a whole different way of listening.”, Thanks to this week’s release of the movie’s soundtrack album, featuring guest appearances by indie-rock star Zola Jesus and Lebanese vocalist Yasmine Hamdan, the lute may become more liberated than ever. The instrument he played recently in the WNYC studio in New York is a 24-string, early baroque-style lute recently built for him by Michael Schreiner. Jozef van Wissem hat bereits Alben mit Tetuzi Akiyama und James Blackshaw eingespielt, verehrt wird er u.a. To make things more interesting, he composed one album backwards (2000’s “Retrograde”) and has played palindromic songs that reverse at their midpoint. But he feels his instrument has what he calls "a bad image: You stand under a balcony and serenade a lady… We speak Chicago to Chicagoans, but we couldn’t do it without your help. Find album reviews, stream songs, credits and award information for Retrograde Renaissance Lute: A Classical Deconstruction - Jozef Van Wissem on AllMusic - 2000 - … Bitte lade die Seite neu. They had their biggest success with “How Can I Tell My Mom and Dad,” which came out when they were so young they could barely tour. After a year of reflection, he began to study lute with Pat O’Brien, a teacher he found through a Village Voice ad. “That was part of the trance,” he says, referring to those journeys. Stay connected to our city’s pulse by joining the Reader Revolution. Quite suddenly, the audience is vaulted back 400 years, hearing echoes of what Adam, the wan, romantic musician played by Hiddleston, must have known in his days as a human. How? Van Wissem is known for his musical collaborations with Jim Jarmusch and scores Jarmusch's new film, “Only Lovers Left Alive.” (Jesse Dittmar/For The Washington Post). Rated R for language and brief nudity. He plays it with a bottle neck on occasion, and sometimes blends its sound with electronics or recordings of airport ambience. Wählen Sie die Kategorie aus, in der Sie suchen möchten. 123 minutes. This Dutch performer, who plays an instrument called a ten-course Renaissance lute, may seem to have an obsession with backwards music, as he followed up this recording with another disc in which the compositions were partially based on palindromes. It’s a concert to celebrate “Only Lovers Left Alive,” Jim Jarmusch’s new rock-and-roll vampire movie starring Tilda Swinton and Tom Hiddleston as eternal bohemians whose love for each other is matched only by their exquisite taste in music and literature. Stattdessen betrachtet unser System Faktoren wie die Aktualität einer Rezension und ob der Rezensent den Artikel bei Amazon gekauft hat. Along with that, he incorporates a deep affinity for the 1960s tape-loop minimalism of Terry Riley and Steve Reich, and the intricate marathon repetitions of composer Morton Feldman, to create a kind of harmonic tapestry unique to every venue and performance. “People were smaller then. Verbinde deine Spotify- und Last.fm-Konten, um deine gehörten Inhalte von jeder Spotify-App auf jedem Gerät und jeder Plattform zu scrobbeln. Hast du Hintergrundinfos zu diesem Album? 11 tracks (59:37). He lectures on 'the liberation of the lute' ( At Harvard, Wesleyan University, Mills College amongst others) He was commissioned by the National Gallery of London to compose a sound piece to Hans Holbein's painting "The Ambassadors". Jozef Van Wissem. Year Title Artist Rating Releases; 2014: Only Lovers Left Alive: Jozef van Wissem & SQÜRL: 5: 3: 2015: Partir to Live: Jozef van Wissem: 1: Showing official release groups by this artist. He gave the director a CD, and a few months later, he got a request to send his catalogue. “I know the way [Jarmusch] makes his films is kind of like a musician,” he says. Filmmaking’s very hard, and it takes years to get something to show someone, and music’s so immediate. It’s very special stuff.”, Despite the fragility of his instrument (he maintains five lutes), van Wissem is often on the road, something else that he has in common with his peers from the Middle Ages, who might have traveled for days on horseback. And the lute goes against all technology and against all computers and against all the s--- you don’t need.”. I can’t not anymore. November 15, 2019 “He said, ‘Write your own pieces,’ which really opened it up for me,” van Wissem says. “I feel that I’m sort of political,” he says. When you’re 11, ‘Oh, the guitar!’ You have that feeling. Only Lovers Left Alive Opening in area theaters on April 18. The music van Wissem wrote became integral to the conception of “Lovers,” which evolved during the past seven years as Jarmusch sought to fund the production. Jozef van Wissem (* 1962) Joachim Held (* 1963) Andreas Martin (* 1963) Michiel Niessen (* 1963) Björn Colell (* 1964) Christina Pluhar (* 1965) Frank Pschichholz (* 1966) Thomas Höhne (* um 1970) David van Ooijen (* um 1970) Daniel Kurz (* um 1975) Dohyo Sol (* 1979) Magnus Andersson (* 1981) Amandine Affagard (* um 1987) Thomas Dunford (* 1988) Bekannte Lautenbauer. Jozef van Wissem was born in Maastricht. Jozef Van Wissem’s antique lute repertoire has never been more timely By Bill Meyer. In 2013 van Wissem won the Cannes Soundtrack Award for best score at the Cannes Film Festival for "Only Lovers Left Alive". The '60s rock generation spent hours trying to play Beatles records backwards to find out what they really meant, while the 2002 autobiography of jazz pianist Oscar Peterson includes an account of just what he did to vanquish another hotshot keyboard man in a cutting contest: Peterson took one of the fellow's pet tricky phrases and played it backwards.